In Queen Victoria’s reign, England reigned as the world’s undisputed superpower. London, its beating heart, pulsed with the energy of a thriving metropolis.
Magnificent palaces and towering structures stood as a testament to the wealth amassed from a vast colonial empire.
However, beneath this glittering facade lay a stark reality. Poverty gnawed at the city’s underbelly, a harsh contrast to the opulence above.
Revealing this intricate world are these extraordinary colorized photographs.
They take us beyond the confines of black and white, offering a rare peek into life at the end of the 19th century and the turn of the 20th century.
From the iconic, newly constructed Tower Bridge to the grim struggles within London’s slums, these images capture the full spectrum of Victorian life, flaws and all, including everyday street scenes and the lives of regular people.
In the 19th century, London underwent a transformation, becoming the world’s largest city and the capital of the British Empire.
The population skyrocketed from just over 1 million in 1801 to 5.567 million in 1891.
By 1897, the population of “Greater London” (including the Metropolitan Police District and the City of London) was estimated at 6.292 million.
By the 1860s, London’s population was a quarter larger than Beijing, two-thirds larger than Paris, and five times larger than New York City.
In contrast to the conspicuous wealth of the cities of London and Westminster, there was a huge underclass of desperately poor Londoners within a short range of the more affluent areas.
The author George W. M. Reynolds commented on the vast wealth disparities and misery of London’s poorest in 1844:
“The most unbounded wealth is the neighbor of the most hideous poverty…the crumbs which fall from the tables of the rich would appear delicious viands to starving millions, and yet these millions obtain them not!
In that city there are in all five prominent buildings: the church, in which the pious pray; the gin-palace, to which the wretched poor resort to drown their sorrows…
…the pawn-broker’s, where miserable creatures pledge their raiment, and their children’s raiment, even unto the last rag, to obtain the means of purchasing food, and – alas! too often – intoxicating drink
…the prison, where the victims of a vitiated condition of society expiate the crimes to which they have been drive by starvation and despair; and the workhouse, to which the destitute, the aged, and the friendless hasten to lay down their aching heads – and die!”
The East End of London, with its economy centered around the Docklands and the polluting industries clustered along the Thames and the River Lea, had always been a hub for the working poor.
However, by the late 19th century, it had gained a particularly notorious reputation for crime, overcrowding, severe poverty, and debauchery.
The 1881 census recorded over 1 million inhabitants in the East End, with a third of them living in poverty.
In his 1903 account “The People of the Abyss,” American author Jack London described the astonishment of Londoners when he mentioned his plan to visit the East End: many had never been there despite living in the same city.
When he visited the travel agency of Thomas Cook & Son, he was refused a guide and instead told to consult the police.
When he finally found a reluctant cabbie to take him into Stepney, he described his impression as follows:
“Nowhere in the streets of London may one escape the sight of abject poverty, while five minutes’ walk from almost any point will bring one to a slum; but the region my hansom was now penetrating was one unending slum.
The streets were filled with a new and different race of people, short of stature, and of wretched or beer-sodden appearance.
We rolled along through miles of bricks and squalor, and from each cross street and alley flashed long vistas of bricks and misery.
Here and there lurched a drunken man or woman, and the air was obscene with sounds of jangling and squabbling.”
(Photo credit: Victorian London Street Life in Historic Photographs by John Thomson, Adolphe Smith 1994 / Colorized via DeepAI / Wikimedia Commons).